Let’s talk about dramatic entrances and swift exits – and no, I don’t mean your last awkward dinner party. In storytelling, timing isn’t just about what happens; it’s about knowing when to throw your readers[…]
5 Essential Elements of a Compelling TV Pilot (and How to Master Them)
We’ll be diving into more detail when the course begins July 9th (still a few seats available to sign up), but I thought this might be a good launchpad for those of you in the[…]
Writing Dialogue: Rules of the Road
Alright, I wouldn’t really call them rules, but maybe think of them as signposts or goals or just things to consider. I’d also argue that these signposts work almost as equally for both screenplays (TV,[…]
Painting with Words: Techniques for Creating Vivid Action Description in Screenwriting
Mastering the art of dynamic action description is a crucial step towards creating a screenplay that captivates readers and draws them into your world. In this article, we’ll delve into the essential techniques to craft[…]
No Conflict, No Story
Beginning April 4th, I’ll be leading a 4-week online workshop for the Pennwriter’s Association where we’ll explore developing your screenplay. Over at the wonderful Script Slug Script Depository, I’ve cobbled together some thoughts on how[…]
Thoughts for Finishing Your First Draft
It’s not hard to lose sight of the bigger picture when writing your first draft. Sure, your outline or beat sheet might have every little nuance figured out ahead of time, but even the most[…]